Cat allergies mean Gus’ folks can’t be Franklin’s forever family, but he’s optimistic about Amelia, Gus’ classmate. Franklin is persuaded to come inside by Chester, the therapy dog for Gus, an autistic boy who has seizures-a duo readers met in McGovern’s Chester and Gus (2017). Maybe in future episodes he’ll acquire better homework habits.Ī cat in need of a home finds a girl in need of a friend.įranklin, a massive Maine coon cat who’s been homeless since he was accidentally separated from his person, finds a temporary new home. Smash battles his way through robots and other minions to a climactic and rousingly destructive, if inconclusive, climax that, natch, paves the way for sequels. The Boltons provide easy-to-follow panels filled with action, wide eyes, banter (“Not another step or it’s bye-bye puberty!”), and comically exaggerated differences between the puny (looking!) caped crusader and his much buffer adversaries. That’s not to mention the Magus, an archvillain out to regain the transferable superpowers he claims the Defender stole from him years ago. Unfortunately, he still has school, a mercurial big brother, parental rules and a bully problem (which he’s savvy enough not to try solving the simplest way).
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He learns how to fly without running into things (deservedly acquiring along the way his moniker, “Smash”) and to survive blasts and bullets while nabbing robbers and other malfeasants, costumed or otherwise. Discovering that ambition and a dorky homemade outfit doth not a superhero make, with some practice, Andrew nonetheless takes up some skills. Without acquiring visible muscle, Andrew suddenly finds himself superstrong and supertough after the long career of Defender, the superhero he worships, comes to a sudden end in a mighty explosion. In this webcomic’s print opener, a 9-year-old acquires superpowers but still has issues, such as his fear of heights and the difficulty of sneaking out of the house at night to fight crime.
Using a combination of short exchanges of dialogue and frequent wordless reaction shots, the Holms again leverage simply drawn scenes colored by Pien into a loosely autobiographical narrative that is poignant and hilarious in turn and emotionally rich throughout. Despite such low notes, though, the general trend is upbeat-with Gramps coming up from Florida for a visit, a sisterly, Indian-American teen neighbor named Neela Singh moving in next door (adding some diversity to the otherwise all-white main cast), and a heartening if long-distance thank-you from Dale for the pet rock Sunny gives him at Christmas being particular highlights. The story unfolds in successive episodes of Sunny’s self-conceived The Sunny Show that confront her with domestic challenges ranging from little brother Teddy’s filled diaper (“Something Smells”) to the stormy holiday visit by formerly loving but now angry, troubled big brother Dale, come home from a military-style boarding school (“Six Million Dollar Boy”).
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The tale is set in the 1976-77 school year and framed by references to TV shows of that era (both contemporaneous and reruns, including The Six Million Dollar Man, The Brady Bunch, and Gilligan’s Island, with amusingly pithy show notes for each). A home-centered sequel to Sunny Side Up (2015), with incidents joyful and otherwise in a middle schooler’s life.
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